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Healing Fukushima. 2016. Directed by Sulfikar Amir. Written by Shi-Lin Loh. Healing Fukushima is a documentary exploration of Japanese medical responses to a series of disasters that culminated in the nuclear accidents on 11 March 2011. It depicts how Japanese
후쿠시마 참사와 그 이후를 묘사한 텍스트가 우리에게 상상력을 발휘하여 사건의 시나리오를 구성해 보도록 한다면, 참사의 시각적 묘사는 그 광경을 더 적나라하고 직접적으로 드러낸다. “나미에로 가는 길”은 싱가폴 난양 공과대학의 과학기술학자 설피카 아미르(Sulfikar Amir) 교수가 제작한 짧은 다큐멘터리 영화이다. 이 작품은
كاماناكا، هيتومي. 2010. رماد إلى عسل. مجموعة جيندي. [youtube http://www.youtube.com/watch?v=GHG6TKKeO-A&w=560&h=315] “ما هو أفضل مسار للتنمية البشرية؟” المخرجة كاماناكا هيتومي تسأل في فيلمها لعام2010، رماد إلى عسل. هذا الفيلم الوثائقي يبني الحجة لضرورة وجود مستقبل مستدام من خلال تصوير صراع محلي
While textual representations of the Fukushima disaster and its aftermath provide a conduit for the imagination to construct the scenario, visual depiction renders the landscape with visceral immediacy. “A Journey To Namie” is a short visual documentary by Sulfikar Amir, a
貢寮─一條位於台灣北部的漁村－於1980年代被台灣政府選做第四間核電站（又稱「龍門核能發電廠」）的廠址。政府的決策未為貢寮的居民接納，於是，居民發動了一場歷時已超過廿年的反核運動。從1998年到2002年，以碩士究研生的身份，崔愫欣游走於居民的會議及示威中間，以參與式觀察的方法紀錄了這場當地的反核事件。
A2-B-C. Directed by Ian Thomas Ash. 2013. (Documentary, 70min.) This documentary by the Japan-resident American filmmaker Ian Thomas Ash focuses on children and parents living in areas of Fukushima prefecture contaminated by radioactivity. Focusing exclusively on these Fukushima families, the director
ドキュメンタリー映画『ヒバクシャ－世界の終わりに』（2003）、『六ケ所村ラプソディー』（2006）、『ミツバチの羽音と地球の回転』（2010）など、福島原発事故以前から原発問題を追っている鎌仲ひとみ監督による最新作。福島に残ることを選択した母親たちを中心に、子どもを被曝から守るための方法を探る人々の姿が描かれる。キーワードは「保養」である。
本作は、日本在住のアメリカ人監督イアン・トーマス・アッシュによる、福島県の放射能に汚染された地域に住む子どもたちと母親たちに焦点を当てたドキュメンタリーである。監督は福島の家族に密着取材し、放射能とともに生活する子どもたちの日常と母親たちの不安と怒りの声をとりあげる。
Ai Weiwei: Never Sorry. Directed by Alison Klayman. 2012. (Documentary, 96 min.) Ai Weiwei: Never Sorry tells the story of Ai Wei Wei, perhaps the most famous Chinese artist on the international art scene today, and his fight against the
日本在住の精神分析医で写真家のフランス人男性が２０１１年３月１１日以降の被災地における人々の日常生活を調査している。被災時、甚大な被害によって混乱し悲嘆にくれる人々の画像が世界中に流れた。
Gong Liao ni hao ma 貢寮你好嗎. Directed by Tsui Shu-hsin 崔愫欣 . 2004. (Documentary, 89 mins.) Gongliao (貢寮), a fishing village located in the northeast Taiwan, was chosen by the government in the early 1980s to be the location for the Fourth Nuclear Power
Thibierge, Stéphane. La vie après Fukushima. 2013. SODAPERAGA & Les Films du Paradis Productions. A French man—psychoanalyst and photographer who lived in Japan—investigates the daily lives of people in the region devastated on 11 March 2011 and after. At that time, the
티비에르쥬, 스테판.《후쿠시마 이후의 삶》(La vie après Fukushima). 2013. 정신분석가이자 사진작가인 한 프랑스인이 2011년 3월 11일 이후 황폐화된 일본 동북지역을 다시 방문한다. 이전에 일본에서 살았던 그는 쓰나미를 겪은 지역 주민들의 일상을 취재하기로 결정한다. “그 당시 전 스스로 이렇게 말했어요. 일본이
후나하시 아츠시. 《핵의 나라》(Nuclear Nation). 2012. 후쿠시마현의 작은 마을 후타바에는 “원자력은 우리 마을과 사회를 번성하게 합니다”라는 눈에 잘 띄는 아치형 표지판이 있다. 카메라는 돌무더기, 빈 관공서, 외양간에서 죽고 미라가 된 수십 마리의 소들이 있는 회색 풍경을 주욱 보여준다. <핵의
PBS Frontline. 2012. Inside Japan’s Nuclear Meltdown. Accessed on Nov 17, 2013, http://www.pbs.org/wgbh/pages/frontline/japans-nuclear-meltdown/ This 55-minute documentary shows how the triple disaster at the Fukushima Daiichi nuclear power plants unfolded during the first few days after an offshore earthquake triggered a 14-meter tsunami
Funahashi, Atsushi. 2012. Nuclear Nation. Documentary film. http://nuclearnation.jp/en/ “Atomic energy makes our town and society prosperous,” reads a sign over a prominent archway in the small town of Futaba, Fukushima. The camera pans over a grey landscape of rubble, empty public buildings, and
Sekigawa, Hideo. 1953. Hiroshima. Feature Film. Hiroshima begins with a scene in a middle school classroom in 1953 where students’ misunderstandings of radiation and leukemia have led to discrimination against victims. By foregrounding issues of discrimination and the lack of
Kamanaka, Hitomi. 2010. Ashes to Honey. Group Gendai. “What is the best course of development for humankind?” director Hitomi Kamanaka asks in her 2010 film, Ashes to Honey. This documentary builds an argument for the necessity of a sustainable future
Editor’s note: This week, we are pleased to feature contributions from Sofia University graduate students enrolled in Tak Watanabe’s 2011 spring semester classes in Tokyo, Japan. We begin with a film translation and subtitling project of a Japanese documentary that
Ōmiya, Kōichi [大宮浩一]. 2011. Mujō Sobyō. 無常素描 [The Sketch of Mujō]. Tokyo: TOFOO Films. HD documentary film, 75 min., http://mujosobyo.jp/ Ōmiya Koichi’s The Sketch of Mujō [Mujō Sobyō] is the first documentary film to take a ground-level view of life